Sam Cavitt is president of Paradise Theater in Kihei, Hawaii, and Carlsbad, California.
What motivates a client to own a private theater?
Private theater professionals share a singular goal: To have the opportunity to provide our best efforts to as many appreciative clients as possible.
Most of us understand that it is easy to overwhelm clients with too much information. But how do our clients know that we are making the right recommendations if we don’t substantiate them?
Sam Cavitt breaks down the significant influence that flooring can have on the performance of a private theater.
The following is a recommendation of how to influence architects to consider a dedicated theater room early in the design phase.
Aside from the obvious goal of creating an environment that provides entertainment, excitement, and fun, the objective of designing a private theater should be to produce a room that supports the accurate reproduction of audio and video.
In the design and engineering of a private theater, when is it appropriate to take it “to the Nth degree?” This is the question that was recently posed to us by one of our most valued integrator clients.
Designing private theaters is a great business.
We often hear comments like, “What’s the big deal, it is supposed to be a dark room anyway” or “The lighting design has already been done by the interior designer.”
Our industry is wrought with buzzwords
and acronyms, and “turnkey” is a term
that has been thrown about for a long
The full BP900 speaker family
BP9060 Bipolar Tower Speaker
A close up of the base of Definitive Technology’s BP9060 and its height-channel module
The iconic Definitive Technology logo.
Looking down at the Definitive Technology BP9060 Bipolar Tower Speaker
An example of the BP9060 speaker towers at home.
The CS9080 component center channel speaker
The back panel of the CS9080
A width up shot of the CS9080
The A90 component height modules
The A90 height module integrated with the BP9060 tower speaker
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