When Technology is the Hidden
Member of the Theater Design Team

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Sam Cavitt (samcavittmedesign.tv) is
president of Paradise Theater in Kihei,
Hawaii, and Carlsbad, California.
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We can discuss acoustical and system
planning and design, ergonomic considerations,
and aesthetics but, in the end,
theater designers are dependant and, in
fact, driven by the products that are available
to and demanded by our clientele.
In recognition of the importance of
these hidden design team members and
their creations, Residential Systems is
holding the seventh annual Resi Awards
competition, results of which are being
published in this issue. We thought it
timely to touch on a few of the finalists’
products that are specifically oriented to
home theater and discuss the benefits,
challenges, and even some suggestions
regarding these products and product
categories.
Lighting Control Keypads
There are two finalists in the lighting
control category and both offer some useful features from a theater design
perspective. Of course, integrated lighting design and control are an essential
element for quality theater design. The finalists in this year’s competition
offer elegant keypad design choices to coordinate
with virtually any décor and both offer some interesting
features having to do with visibility. The keypads offer
backlit buttons, which enable visibility in all lighting conditions.
Theaters are, by necessity, dark. One product–the
LiteTouch Circa keypad–offers adjustable light levels and
LED color selections, enabling appropriate (low enough
to prevent distraction, bright enough to be visible) light
levels and color to be selected. The Vantage Keypad Collection
offers automatic adjustment of LED backlights to
ambient light levels. What isn’t clear is if these automatic
levels can be customized or programmed to work with the
various scenarios found in a theater environment. Now
that would be very nice.
Application Mounts
This next product is related somewhat to the first. TRUFIG
has created a system of absolutely integrated flush
mountings for many of the essential technology devices
found in home theaters as well as most residential spaces.
Touchscreens, keypads, receptacles, and other wall-mounted devices now
can be integrated virtually seamlessly into wallboard, stone, and wood
surfaces. It may sound petty but the ability to mount convenience receptacles
on theater baseboard that are truly flush and match the wood, while
maintaining the fully decoupled isolation acoustics we strive for is exciting
to me.

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A lot of hidden technology went into this Paradise Theater design partnership with Ty Meyer’s Audio Video Design
integration firm in Mission Viejo, California.
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Hiding Speakers
While members of the audio-video industry may find the industrial design
of on-wall, in-room surround speakers and subwoofers pleasing, the
design community thinks that these should not be seen at all. This year
two Resi Awards finalists addressed these concerns. The BG Radia SS-
303 is a full-frequency surround speaker designed to integrate into wall
construction, acoustical substrate construction, columns, and other typical
theater interior details. We continue to see development in this area and
are pleased to see manufacturers building products based on engineering
and functionality rather than cabinet designs that we just have to cleverly
hide. In the world of bass, Leon’s Aaros A10-UT offers a very thin solution
for integration into room construction. If the product delivers on
its promise of very low bass extension, the A10-UT provides a very nice
way to deliver what our acoustical models demand: precise (and typically
inconvenient) location of multiple subwoofers to address the modal characteristics
of rooms.
Video Developments
The last two finalists I’d like to point out are LED-driven projection systems.
The attributes that make LED-driven projection so attractive to theater
designers are reduced heat output, reduced noise propagation (as a
result of #1, and improved black levels. The problem not yet solved is light
output. Both SIM2 and Digital Projections are finalists in this category
and both offer worthy developments. I applaud the continued development
in this area and encourage the work to create video projectors with
brighter LED engines so that we can specify these units for our largescreen
projects. Currently the light levels will support up to about 100-
inch diagonal screens.
Congratulations to this year’s finalists for being part of the solution.