Defining and Maintaining
the Roles on a Project Team

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Sam Cavitt (samcavitt@medesign.tv) is
president of Paradise Theater in Kihei,
Hawaii, and Carlsbad, California.
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The creation of a great private theater
is similar to team sports in that it takes
a collective effort to succeed, and each
member of the team has an impact on
the success of every other.
To go about being an effective
member of a successful private theater
design team, first you must identify what
the overall project scope represents. For
the sake of this example we will talk
about a dedicated private theater being
constructed, either in a new construction
project or in a home’s new addition.
This type of project would represent the
full complement of potential “players”
as the tasks to be accomplished are
extensive. These tasks include:
• Building architecture, including
structural, electrical, and mechanical
engineering
• Interior design including concept creation, lighting design, and finish
selection
• Theater performance design and engineering, including acoustical
engineering, video system engineering, and documentation of the theater’s
functional construction
• Theater room design, including concept integration with function and
interior construction documentation
• General construction, including plan check and permitting, project
management, and all subcontract work.
• Specialty construction, including isolation construction, subsystem and lowvoltage
wiring and rough-in, and specialty interior construction and interior finishes
• System contracting, including design and engineering, system
procurement, installation, programming, and testing and final calibration

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It is our responsibility to identify our own skills, bring the right teammates to the game
and deliver on the promise of a great private theater experience.
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Once the scope of the project is established and the project teams are
selected, a “game plan” needs to be developed. The scope of a dedicated
theater is outlined in the sidebar on this page. The players for such a
project should include a client, architect, interior designer, theater
designer, integrator, general contractor, and specialty subcontractors. In
some cases one player executes several of these tasks. However, each task
represents specific skill sets or core competencies and should be looked
upon as such. So, if one player is wearing several hats, that player needs
to truly deliver those services at the top level.
The project team needs to use the right person for each task. For
instance, many architects can create a theater layout that fits in well with
the rest of the home’s design. However, many of the intricacies, such
as acoustical listening positions, isolation construction, and appropriate
sight lines are better provided by a theater designer. Additionally, while
input from other team members is valuable, each player must respect
the other. The general principal is that to provide the best results for a
winning theater, each member of the team should constrain their work
to their core competency. A team member who is operating outside of
their specialty is diminishing the team’s results as well as their individual
effectiveness. A team member that is inappropriately influencing
another’s work, outside of their core competency, is interfering with the
team’s dynamics.
Each team member also must “own” their job. If I, as the theater
designer, have been tasked with providing optimized seating positions
based on acoustical analysis, I need to undertake all the requisite analysis
and provide understandable and useable documentation for the rest of
the team. If I fumble, then the whole team takes the loss.
Another issue that arises is the question of redundancy. Many clients
have the perception that an ESC or integrator should be able to provide
all the needed home theater advice, at little or no cost, or that the
interior designer can handle all of the design integration of an interior
concept within the functional parameters of the room. By diligently
planning the demarcation between tasks, each team member will add
irreplaceable value, and the results would be diminished without each
member’s contribution.
As an industry, let’s be the leaders of a winning team. It is our
responsibility to identify our own skills, bring the right teammates to the
game and deliver on the promise of a great private theater experience.
Skill Sets for the Job
To accomplish this list of tasks listed at the beginning of
this article, the following skill sets are required:
Architectural
General
Structural
Mechanical
Electrical
Design
Interior
Acoustical
System
Lighting
Theater
Construction
General
Specialty
Interior
Electronics
Procurement
Installation
Programming
Calibration